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Cover of this Issue   Table of Contents of this Issue  Table of Contents Part II of this Issue

 

46

46

Chronological History Of American Music And American Songs . Cont'd

THE STAPLE SINGERS

Photo: The Staple Singers.

The Staples' story goes all the way back to Winona, MS, in 1915. It was then and there that patriarch Roebuck Staples entered the world. A contemporary and familiar of Charley Patton, Roebuck quickly became adept as a solo blues guitarist, entertaining at local dances and picnics. Gradually drawn to the church, by 1937 he was singing and playing guitar with a spiritual group based out of Drew, MS, the Golden Trumpets. Moving to Chicago four years later, he continued playing gospel music with the Windy City's Trumpet Jubilees.

  A decade later Pops Staples (as he had become known) presented two of his daughters, Cleotha and Mavis, and his one son, Pervis, in front of a church audience, and the Staple Singers were born.

 


The Staples recorded in an older, slightly archaic, deeply Southern spiritual style first for United and then for Vee-Jay. Pops and Mavis Staples shared lead vocal chores, with most records underpinned by Pops' heavily reverbed Mississippi cotton-patch guitar. In 1960 the Staples signed with Riverside, a label that specialized in jazz and folk. With Riverside and later Epic, the Staples attempted to move into the then-burgeoning white folk boom. Two Epic releases, "Why (Am I Treated So Bad)" and a cover of Stephen Stills's "For What It's Worth," briefly graced the pop charts in 1967.In 1968 the Staples signed with Memphis-based Stax. The first two albums, Soul Folk in Action and We'll Get Over, were produced by Steve Cropper and backed by Booker T. & the MG's.

 The Staples were now singing entirely contemporary "message" songs such as "Long Walk to D.C." and "When Will We Be Paid." In 1970 Pervis Staples left and was replaced by sister Yvonne Staples. Even more significantly, Al Bell took over production chores. Bell took them down the road to Muscle Shoals, and things got decidedly funky.
Starting with "Heavy Makes You Happy (Sha-Na-Boom Boom)" and "I'll Take You There," the Staples counted 12 chart hits at Stax. When Stax encountered financial problems, Curtis Mayfield signed the Staples to his Curtom label and produced a number one hit in "Let's Do It Again." The Staples went on to continued chart success, albeit less spectacularly, with Warner, through 1979. One more album followed on 20th Century Fox in 1981
. Data/Source: Rob Bowman

ALBERTINA WALKER

Photo: Albertina Walker and her group. Born the youngest of nine children on August 29, 1929 in Chicago, IL, Albertina Walker grew up on the south side and started singing as a child at Westpoint Baptist Church. A lot of great gospel artists used to come to her church: the Roberta Martin Singers, Sadie Durham, and Professor Fyre. She joined gospel groups, beginning with the Pete Williams Singers, the Willie Webb Singers, and the Robert Anderson Singers before forming the Caravans in 1951. The original group also included Ora Lee Hopkins, Elyse Yancey, and Nellie Grace Daniels. Classic recordings for the States label between 1952 and 1954 were "Mary Don't You Weep," "Soldiers in the Army," "The Solid Rock," "The Lord I'll Keep Me Day By Day," "The Blood Will Never Lose Its Power," and "Blessed Assurance." The latter song was redone by Ms. Walker for the soundtrack of Steve Martin's movie Leap of Faith, in which she makes a brief cameo.

 

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