DANCE, BALLET AND CHOREOGRAPHY: ESSAY AND ANALYSIS

POETRY IN MOTION

Sylphides (Les): Deborah Carr in Ballet Omaha's 1989 production. In the center of the corps group at rear: Susannah Israel. (Photo of Jim Williams, from his beautiful BalletWeb)

Here, the free-flowing U.S. dance forms stimulated him to develop new techniques in dance design and presentation, which have altered the thinking of the world of dance. Often working with modern music and the simplest of themes, he has created ballets that are celebrated for their imagination and originality. His company, the New York City Ballet, is the leading dance group of the United States and one of the great companies of the world. An essential part of the success of Balanchine's group has been the training of his dancers, which he has supervised since the founding of his School of American Ballet in 1934. Balanchine chose to shape talent locally, and he has said that the basic structure of the American dancer was responsible for inspiring some of the striking lines of his compositions. Balanchine is not only gifted in creating entirely new productions, . . . his choreography for classical works has been equally fresh and inventive. He has made American dance the most advanced and richest in choreographic development in the world today." Balanchine himself wrote, "We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. "