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5

 

THE PAINTERS OF SORROW. Cont'd.

 

The Poet at the Feet of Aragats, 1906 by Saryan uuu

Since1909, Sarayan turned his attention to Armenia's  everyday life, taking as his subjects ancient sites untouched by civilization  and materialistic progress. Nature was sacred to him. Particularly, the Armenian landscape and sceneries. Light was very important to Sarayan, for he considered light as the symbol of Armenia and Christian religion. Light represented the eternal and religious fervor of Christianity which was nourished by the Armenian struggles during the Ottoman occupation. In that respect, he has become the patron artist of Armenia.

 Near the Wells by Saryan, 1908 qqqq

                                                                                                  

Sarayan  was deeply influenced and inspired by French masters of the era, notably  the French Impressionists such as Henri Matisse,  Monet, Gauguin and many others  with whom he created a movement known as “THE BLUE ROSE GROUP” solely established to defend this new style of painting and defending its credibility, artistic values and legitimacy in the European communities, societies, salons, centers, milieux and critics circles. Ironically enough, later on in Paris, Pablo Picasso and Georges Braques will do the same thing by creating their own group to defend their cubism movement and abstract art which were at the beginning of the dawn of their creation extremely ridiculed in the society and press. At the beginning of the Impressionism movement, nobody in the art world, art critic circles and media would take this art form seriously. And to make it worse and more difficult for those Impressionist artists, no gallery owner or museum curator will exhibit their work. It was not recognized nor accepted. Saryan was in the same boat! Saryan following the patriotic tradition of his predecessors, he  devoted his energy, passion and time to Armenian nature and landscape and portraiture but, he was innovative and most surely not repetitive. He created a new trend, a new artistic plat form, a genre which became easily recognized and recognizable, particularly in portraiture. For instance,  upon painting a portrait, Saryan  would create and incorporate related and unrelated objects and images for the background of his painting.       

Many of Saryan's paintings have a permanent home in Yerevan, Armenia  and  two museums:
- The Martiros Saryan Museum in Yerevan
- The Kazakstan State Museum of Arts

 

 

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CLICK HERE TO READ  MONTHLY HERALD     CLICK HERE  TO READ Herald Monthly Magazine     CLICK HERE TO READ  THE WEEKEND PAPER  CLICK HERE  TO READ WORLD ARTS & CULTURE MAGAZINE  CLICK HERE TO READ HERALD TIMES PARADE