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PROGRESSIVE NEO CUBISM. Cont'd.

 

 

THE ART OF MAXIMILLIEN DE LA CROIX "MISTRAL"

 

Many of De La Croix’s Black and White artwork were presumed lost. In many cases, I did not know they have ever existed because no records on a complete inventory of Maitre de La Croix’s art was made. Besides, this most unique series and compositions were  not considered by the artist as a paramount part of his genre, therefore, no importance was given to its value by the artist himself. We were fortunate to locate and retrieve 35% of the total Black and White artwork and the remaining 65% is considered now as lost forever. The original series consisted of approximately 300 original drawings, paintings and compositions. In the seventies and a little bit earlier, probably around the years 1962 to 1965, Black and White artwork was in a great demand, especially in Paris, Rome and New York. Maitre de La Croix began his “Noir et Blanc” series around 1978. Of course, he came late to the scene but instantly his work attracted the attention and interest of collectors, connoisseurs and art lovers worldwide. His work was quite different from the work of leading Black and White “composers” and artists in the United States because his Black and White compositions were oil paintings on linen conceived as three dimensional in composition and structure and appeared as a photographic platform rather than a traditional oil, black pencil, charcoal or similar medium widely used by eminent black and white artists. When you look at Maitre de La Croix’s Black and White paintings, you begin to wonder if those paintings are made in oil or are photos or even negative of photos sets. This is not the case when you look at the superb black and white paintings of other great artists such as: Gotthard Graubner, Peter Roehr, Cy Twombly, Bruce Nauman, Al Held, Roy Lichtenstein,.

 

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