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7

 

THE PAINTERS OF SORROW. Cont'd.

INNOVATIVE CREATIVITY:

  Such innovative creativity appeared in many of his work and particularly in famous paintings such as the portrait of the Armenian engineer Alexander Tamanyan in 1932. In that particular painting, the artist added to the background of the paintings, an impression of the blue prints and lay out design of the Armenian Opera House under project. The background was a play ground for structural and architectural ideas, concepts and design lines; a sort of a drawing board of the construction site, exterior design, the house façade, including very meticulous details. This innovation gave depth, extra dimension and substance to the portrait subject of his study. Another characteristic feature of his creativity was the exteriorization of the inner feelings and sentiments of his models.

   tTHE SETTLEMENT by SARYAN  

 

Photo :Tadevosian, Soureniants, Saryan (Ctr.) Terlemezian (seated), 1916.  

To his portraits, Saryan added a perfect blend of nonchalant strokes of unconformity with meticulous attention to details to project the most pleasant attributes of his subjects, qualities and virtues such hope, happiness, strength, optimism and self-assurance.  His portraits would not sit  there like a  historical reference or a representation of a human face that should look exactly how others conceive it or expect it to appear to them, to history and to  evidential authenticity. Each of his portrait painting is a human drama, sad or joyful, it still remain a human documentary rather than an appealing and truthful reproduction of the physical traits of the model. You can feel the person in his portraitures. This models do not sit  or pose for him, they come to him with a story to tell. This is so evident in the portraits of his Holiness Katholikos Vazgen the First, the Russian melodramatic poet Lozinsky and the Armenian dramatist and poet Avetik Isshakyan.

Major works: Poet at the Foot of Aragats, 1906.  By the Well. Hot Day, 1908. Flowers of Kalaki, 1914. Street. Afternoon. Constantinopole, 1910. Egyptian Masks, 1911.  Night Landscape, 1911. Date Palm, 1911

 

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