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221
CULTURE, ARCHITECTURE AND CIVILIZATIONS
ART
OF A VANISHED MAJESTIC KINGDOM: CILICIA
The gigantic palaces and castles of enormous proportions of Ararat were the source of inspiration, data, collection of know-how and information for the forthcoming castles and buildings of Bagratouni (Bagratid), Arshakouni (Arsacid) Yervandouni, Artashesian (Artaxiad) and the Roubinian, Hetoumian and Lusignan periods. The Cilician architects and master-builders taught architects, fortresses and castles builders of ancient and medieval countries, the art, the science and the strategic lay-out, design and sites selection of castles , towers and fortresses. Many of the remaining ramparts, walls, towers, arcades and ruins of the Crusade castles in Syria, Palestine and Lebanon are living examples and witnesses of the Armenian ancient and medieval architectural genius and original creativity that shaped and influenced the architecture of the Crusaders, ancient and medieval Europe and the Middle East, including the Ottoman (Turkish) Sarails (Sarayat) , castles, sultanic palaces and cities fortresses.
Photo: Drawing/illustration
of an early Armenian church with its noticeable altar dome. Armenian altars
and domes style later were frequently copied, used and shaped after in
European architecture for and in churches, cathedrals, royal palaces,
universities, immense libraries and governmental edifices.
Photo, below: Cilician minted coins

Long
before its established boundaries and kingdom perimeter as the Greater
Armenia, Cicilian terrain in the region of Lake Van and Mount Ararat was the
center of culture, art, science for the ancient Near East, Middle East,
Indo-European countries, Anatolia, Syria, Palestine, Iraq and other regions,
countries and inhabitants of Asia who interacted with the people of the
kingdom of Urartu (Ararat or Armenia today) and the kingdom of Cecilica. The
Cilicians were very hospitable, peace loving, and extremely friendly with
their neighbors and the tribes that lived in their surrounding regions.